"Since my young years till now, for
50 years, I have been learning from Masters.
I am happy that I have earned the love of my tutors who passed on me the Shaolin Mastery…"
72 Secret Arts of Monks from the Shaolin Monastery
Shaolin Kung Fu
The 72 Shaolin Secret Arts are methods of preparing
the body and the mind for action under extreme conditions (first of all, in
conditions of real-life hand-to-hand combat). If
you train only hand-to-hand techniques and do not pay attention to special
training,you will never achieve
the
highest mastery and your movements will lack the real force.
"The fists are like flowers, and the legs like embroidery needles", laugh
the old masters at such "techniques". The 72 Arts of Shaolin are the
foundation of the utmost mastery in all styles of Kung Fu.
"Seventy-two precious arts are kept in a brocade bag, they are kept like a great treasure. Eighteen of them are the essence of the famous treatises on pugilistic arts. Eighteen other arts describe in detail training methods with the use of special tools and training
equipment. Wonderful methods of attaining the flexibility of the breath-chi, exercises in obtaining hardness and lightness, clenching methods are written with the blood of monks in books that are kept like a treasure in the brocade bag. One can seldom meet those who really want to do exercises with zeal: to become a real hero, one must often feel bitter taste of hard
labour."
Seventy-two types of the Shaolin Arts represent an example of personal experience of monks from the
Shaolin Monastery in the
Songshan Mountains. This experience was obtained by hard exercises in combat arts during many epochs. The best samples of those seventy-two arts are such effective methods as
qigong (chi kung), breathing exercises chi, exercises to obtain hardness
yinggong and lightness qinggong, acupoint massage dienxue, clenching arts
qinna (chin na), the art of setting dislocations and bones and others.
In all practices of the
Seventy-two Arts at first the basic theory is studied and only then exercises are done. At first those who practice the arts train the softness of their sinews and bones and try to make agile all their joints and articulations. Then they set into motion the main breath
zongli, strengthen the internal organs fu, improve blood state, consolidate body strength, control the
cinnabar field and concentrate energy in it, overcome their desires and requirements. The strength spreads on the four extremities and the hundred joints and articulations, now a fighter is in command of unlimited power and he can move off one
thousand jins. Your arm weighing only ten jins can move a thing weighing
ten thousand jins with a stroke. Your arms are a head, your legs are a
tail. Everything is permeated with a single movement, the body moves like a
dragon. Teachers said: "Shaolin exercises develop forces of the whole human organism, all joints and bones; you are capable of striking with all parts of your
body." There is one more saying:
"The fist is the source of all arts and the leg is the base, the root of the
fist." Ordinary practice of pugilism consists of seventy percent of leg training and thirty percent of fist training. If you acquire pugilism, you can use eighteen types of weapon. If you resort to all ruses of pugilism, you can fight against
ten thousand fighters.
For the first time in English!
Jin Jing Zhong
"Authentic Shaolin Heritage: Training Methods of 72 Arts of Shaolin"
(Tanjin,
1934)
The
book was written in 1934 with blessing and direct participation of the
Abbot of the Shaolin Monastery Reverend Miao Xing nicknamed "Golden
Arhat"
For
the first time the book describes full training methods in all 72
Shaolin Arts. Being until recently for outsiders the most secret part of
training of Shaolin monks, which made them invulnerable in fight, 72
Shaolin Arts at the present time become available to all who are ready
to practice them persistently and with an open heart.
Training methods described in the book allow to develop supernatural abilities, far beyond abilities of an ordinary
man...
Now
available in Paperback and eBook
You
can order this book here:
Qi
Gong Tiet
Sin
"From
my own experience I know that the most impressing thing in TIET
SIN Qi Gong is that the physical strength of those who train
themselves can be increased by nine times. It is hard to believe
for those who did not practice this method..."
Bai
she xin shou - the hand as accurate as a spittle of the white snake
13
Hei
hou tiao shou - the black tiger jumps over a mountain
14
Heihu
zhua lian shou - the claws of the black tiger grasping the face
15
She
mao shou - the hand like a snake-shaped blade
16
Bai
xin shou - the hand of eight wizards
17
Zhin
cha zhi - the finger like a gold pin
18
Zhou
zhi - the bamboo finger, the finger like a bamboo stick
19
Wu
kua hongqian zhi - five fingers like red flower pistil
20
Zhin
gong zuan zhi - the piercing finger as hard as a diamond
21
Cuan
xin zhi - the finger piercing the heart
22
Tou
gu zhi - the finger punching holes in bones
23
Yi
zhi jin - the finger as hard as metal
24
Chan
si zhou - the elbow with a cord wound on it
25
Go
xin zhou - the elbow punching the heart
26
Po
yin zhou - the elbow breaking Yin
27
Niu
chan tui - the dislocated thigh
28
Pe
zhu gan - a bamboo fighting pole
29
Gu
shu pan gen - twisted roots of a dry tree
30
Te
wu gen di - the iron buffalo ploughs soil
31
Fei
mai qiao - the leg flying like a feather
32
Hei
xian feng - the black water-spout
33
Tie
sazou - the iron broom
34
Hou
tiao qian - the monkey jumping over a wall
35
Yian
qu shui - the swallow drinks water
36
Chang
e bian yue - Sorceress Chan E ascends the moon
37
Tian
gou chi yang - the Heaven's Dog eats the Sun
38
Ha
mo zu tian - the toad drills the sky
39
Gang
jin juan - the diamond fist
40
Shi
kai hua - the stone blossoms out like a flower
41
Zuan
xin chui - the hammer punching the heart
42
Lu
kai hua - the skull blooming out like a flower
43
Duan
mu zhuang - to break a wooden stove-couch
44
Ti
jie shi - to break a stone with a leg
45
Fang
feng Zhen - Zhen releases winds
46
Da
shai dai - to strike at a sand bag
47
Fen
mu guan - the coffin broken into pieces
48
Dai
tie wa - to wear iron hoops
49
Diao
shaku - to hang trousers with sand
50
Yue
ying jian - to jump over a moon abyss
51
Feng
xuan ai - the flight from a steep precipice
52
Go
wu ji - to jump over a roof gable
53
Zuo
liu xing - the rocket stance
54
Taishan
zhuan - the pole like the Taishan mountain
55
Xin
yi ba - the heart and mind clench
56
Qi
wei chuan dong - the bristling hedgehog strikes a hole
57
Suang
to yue - to embrace the moon
58
Tie
gan tui - the leg like an iron pole
59
Kao
re guo - the cauldron heated on fire
60
Zuai
ti deng - to throw down a stool by a foot
61
Lu
da gun - the ass's strike
62
Zhai
she zu - the foot digging soil
63
Guang
chuan tie bu shan - to put on an iron shirt on the naked body
64
Wu
kong fan jin dou - Wu Kong fights against sinew dislocations
65
Tian
bing xia fan - the Celestial Soldier descends the sky
66
Da
murien - to strike a man of wood
67
Xie
zi zou lu - the scorpion crawls along the road
68
Qian
jintui - the leg weighing one thousand jins
69
Zha
yan huan zuo deng - to change in an instant the stool
70
Luohan
shen gong - Luohan's magic feat
71
Jiao
long nu kong - the coiling dragon growls in wrath
72
Qi
guan qi mao - the breath "chi" washes the hair on the skin
Shaolin
Kung Fu OnLine Library
Shaolin
Kung Fu OnLine Library
The
book was written in 1934 with blessing and direct participation of
the Abbot of the Shaolin Monastery Reverend Miao Xing nicknamed
"Golden Arhat"
Jin
Jing Zhong:
"We collected all we had seen and heard, we gathered ancient manuscripts given to us by our tutors to compile the present
edition".
"72 Arts are perfect exercises. First of all, it is necessary to assimilate the hornbook of mastership. Apt moment, apt time, apt mystery... Strictly observe instructions, and you will be able to become as perfect as the
Dragon"
/Shaolin
Tutor Chun Jin/
For the first time in English!
Jin Jing
Zhong
"Authentic Shaolin Heritage: Training Methods of 72 Arts of
Shaolin"
(Tanjin,
1934)
For
the first time the book describes full training methods in all 72
Shaolin Arts. Being until recently for outsiders the most secret part of
training of Shaolin monks, which made them invulnerable in fight, 72
Shaolin Arts at the present time become available to all who are ready
to practice them persistently and with an open heart.
Training methods described in the book allow to develop supernatural abilities, far beyond abilities of an ordinary
man...
Now
available in Paperback and eBook
You
can order this book here:
"The
Shaolin Martial Art has absorbed a lot of schools and styles. 72 Arts
are the top of true mastership"
/Shaolin
Tutor Ru Jing/
Qi
Gong Tiet
Sin
"From
my own experience I know that the most impressing thing in TID
SIN Qi Gong is that the physical strength of those who train
themselves can be increased by nine times. It is hard to believe
for those who did not practice this method..."
General
Requirements to the Way of Carrying-Out Exercises
The breath Chi must unite with the force - Li, the
brain must be in unity with the heart, the heart must be in unity with the
mind, the mind must guide the breath Chi. Besides, the internal vision should be available in the brain and create plans; the brain must implement those plans, as far as the guidance of the
breath Chi is concerned. The breath Chi strengthens the forceLi which is a motive force of the breath Chi.
With the use of the breath an effort is made and the effort must reach the
eyes and vision. When doing external exercises, one must go from small coercions to deep ones, from simple coercions to complicated ones. The intensity of loading should be increased smoothly and step by step, excessive efforts do not lead to success.
During external practices the secret of success lies in constant observance of the principle
"Toil and Persistency". All the men who reached the top in the Shaolin practices got their high abilities in
hard toil and reached successes only after a lot of regular
exercises. One must rely only on his diligence. If you are not persistent in your heart, you will abandon your training half a way and loose what you have obtained during your practice.
Old
and Rare Chinese Books in English:
Secrets
of
Southern
Shaolin
Lam
Sai Wing
(1860-1943)
"Since my young years till now, for
50 years, I have been learning from Masters.
I am happy that I have earned the love of my tutors who passed on me the Shaolin Mastery…"