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"The Art
of DA HONG QUAN was stated in three books which are used to teach disciples until now.
The books allow to make progress in WU SHU fast and effectively without saying a
word. This fall I visited the house of our family in Hangzhou. Once more I made sure of initial purity of the Art we exercise. The sincere virtue and the inmost knowledge which our ancestors introduced into movements are passed over through centuries and generations. I tried to narrate to disciples about DA HONG QUAN, its fundamentals and the main contents of the
Art..."
Tang Ji Ren, the Chinese Republic, November of 1933. |
About
this book |

DA HONG QUAN is one of the most important parts of Shaolin training. The picture shows the gallery of wooden sculptures at the Shaolin monastery. Monks are in the process of improving techniques of DA HONG QUAN.
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During several centuries Shaolin monks started to comprehend the Pugilistic Art through learning
this traditional style. Mastery directly depends on time spent and diligence displayed for perfection certain elements, that is why any stages of learning martial art, however simple they could appear to from the first sight, should not be omitted. Chinese masters spend most of training time for improvement of movements and the base for movements is proper stances. As they say in China, “before learning to go, it is necessary to learn how to
stay".
Introduction into HONG
QUAN.
Those who learn the
Martial
Art first of all should pay attention to proper stances and positions. In ancient time, when learning the martial art at the initial stage, first of all they paid attention to mastering proper stances, not to exercises in blows and movements. Only after a disciple learned how to stand, he was taught other techniques, as that section (stances) he must acquire deeply and thoroughly. Three skills, namely
YI ZI BU,
SHI ZI TUI and
SHI ZI SHOU, are fundamentals of the whole art
HONG QUAN. Deep comprehension is impossible without studying fundamentals. In ancient time, before starting to learn methods of the pugilistic art and their practical use, this introductory section was learned. It should be specially stressed that at the beginning of a drill one must face due south and strictly observe directions in accordance to the scheme of hieroglyph “ten” during a training session. A trainee should pay close attention to
it... |
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For
the first time in English! |
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Tang Ji
Ren. |
TANG SHI QUAN SHU: PUGILISTIC ART OF THE TANG FAMILY. Outer techniques of DA HONG
QUAN.
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Hangzhou,
1933 |
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From his early childhood Tang Ji Ren learned WU SHU from his father, prominent master Tang Peng Zhao (Tang Xian, 1856 – 1938) who taught the small boy the basic of Shaolin tradition. Treatise
“HUAN MO PAI QUAN JUE” by Tang Xian and the personal experience of the author in the martial art accumulated during many years is the core of the book. The book was written as a guidance for training and had a lot of photos attached showing different aspects of each position and blow. All subtle differences in movements and their combat use are commented in the text in detail.
The book presents the Shaolin Pugilistic Art (QUAN SHU) in the traditional manner. At first, stances and transitions from one stance to another are learned in a certain succession, which helps to acquire material more quick and effective. Then basic arm and leg blows are learned, they are also executed in a certain succession and according to a certain scheme. Repeated drills in basic skills done diligently lay the required foundation, it is impossible to reach high levels of mastery without that. Later, learning combat methods DA HONG QUAN and XIAO HONG QUAN
follows...

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Shaolin Kung Fu OnLine Library:
Chinese Martial Arts - Theory & Practice /
Old Chinese Books, Treatises,
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Tang Ji Ren. |
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TANG SHI QUAN SHU:
Pugilistic Art of the Tang Family. Outer
Techniques of DA HONG QUAN. |
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Original
edition:
Hangzhou, 1933; translated
from Chinese
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2005 |
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